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Cellistic Black Metal Tyranny

by Hvile I Kaos/Angmar

supported by
Dave Aftandilian
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Dave Aftandilian If you thought BM couldn’t be played on cello, think again! This just goes to show once again (props to you, O Botanist!) that spirit and intent are by far the most important parts of what makes “metal.” I feel deep currents of emotion from both the musicians here; tightly controlled rage, ready to be ritually employed to devastating effect; and the dark energy of pursuing a path that few tread, seeking apocalyptic visions, walking with eyes wide open through the gates to the underworld.
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about

Split EP between Hvile I Kaos and Angmar, ushering in Cellistic Black Metal, a new subset of Black Metal with the Violoncello as its primary foundation.

Hvile I Kaos bandcamp:

hvileikaos.bandcamp.com

Angmar bandcamp:

angmarband.bandcamp.com

credits

released February 7, 2017

Hvile I Kaos is: Kakophonix – All Instruments, Composition.

All Hvile I Kaos material composed, performed, recorded, and mixed by Kakophonix, engineered by Kakophonix and Martin Stacey, mastered by Martin Stacey.
All rights reserved.

Angmar is: Cameron Macmillan – All Cellos, Composition, Arrangement

“Gates of Avernus” composed by Cameron MacMillan. “Erlkonig” composed by Franz Schubert, arr. Cameron MacMillan. All Angmar material recorded by Cameron MacMillan, engineered and mastered by Michael Anthony Justen Giorgi.
All rights reserved.

Cover art layout, design, and editing by Lone Wolf Productions. Original painting “Saint Cecilia Playing the Viol” by Domenichino, c. 1617.

Hvile I Kaos and Angmar band logos by Alex Zarko.

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Hvile I Kaos/Angmar

Cellistic Black Metal Tyranny is a combined release from Hvile I Kaos and Angmar, pioneers of black metal portrayed through the lens of the violoncello.

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